Hollywood-Asia: Kate Winslet: Directorial Debut "Goodbye, June" Based on a Script by Her Son. Interview with Asel Sherniyazova

Ирэн Орлонская Society
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Interview of Asel Sherniyazova with Kate Winslet.

The film Goodbye, June marks Kate Winslet's first experience as a director. The premiere took place on December 12 in limited release, and on December 24, it became available on Netflix for audiences worldwide.

This intimate family drama with elements of humor tells the story of how loved ones gather urgently at the bedside of a dying person. Against the backdrop of hospital corridors, pubs, and everyday places, the characters cope with loss in different ways, using practicality, denial, care, and humor to soften the pain. The film touches on themes of love, farewell, and conversations that are often postponed until life forces us to have them.

The screenplay was written by her son. The story was born from personal experience: after the death of her grandmother in 2017, when the whole family gathered at the last moment, the sense of unity around one woman became the foundation for the plot. Initially, it was a school project at a London screenwriting school, but it later evolved into a full-fledged project.

In an interview with the AKIpress news agency, Winslet shared her first experience in directing, discussed the importance of authenticity, and explained why this film is particularly significant for her.

Interview


Asel Sherniyazova: AKIpress news agency, Kyrgyzstan. Hello, Kate. It's nice to see you.

Kate Winslet: Hello, I'm glad to meet you.

Asel Sherniyazova: And I'm glad too. First of all, please accept my sincere congratulations on your first directing project. Your film looks very confident. What surprised you about the directing process, considering your extensive experience on set?

Kate Winslet: I was amazed at how effectively I was able to anticipate events. I was impressed with how we organized our days. I had to keep an eye on the actors and the children. The filming took place in winter, and the conditions were quite challenging due to the cold. I had only 35 days to work — seven weeks, which is very tight. Helen Mirren was with us for only 16 days out of those 35. So, in my opinion, the main thing I learned is the value of preparation. I learned to memorize good lines and dialogues.

But I also had a good memory for wonderful takes. For example, when I went into editing after filming was completed, I remembered one of Tim Spall's takes when he sang Georgia in the pub. It was amazing. I didn't know I was capable of that. It really helped in such a tight schedule. I was happy during the filming process: it was joyful work with a wonderful team that supported each other. I felt that everyone was there to care for one another, and that was fantastic.

Asel Sherniyazova: Thank you very much for your thoughts. Your film is completely sincere. Have there been moments in your life when you realized that authenticity is more important than fame and awards?

Kate Winslet: Authenticity has always been a priority for me. It defines my life. When Titanic came out, it was particularly difficult, as the media began to dig into my personality and criticize me for my sincerity. I was afraid that I might lose touch with myself and my love for my work. I became proof that a woman who maintains authenticity can overcome any difficulties. For me, that is the most important thing.

Asel Sherniyazova: Thank you very much and good luck to you!

Kate Winslet: Thank you very much. All the best!

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